The intuitive easy to use software works natively within DaVinci Resolve DaVinci Resolve Color Page

Note: If you want to take your transcriptions and captioning up a notch, Simon Says has exactly what you need. This post-production tutorial will go over coloring for video production in DaVinci Resolve 17 / DaVinci Resolve 18 for Mac and Windows devices, perfect for video editors looking to up their coloring workflow. Because of that, DaVinci Resolve is slightly more complex than your standard NLE

It’s been used a lot in Hollywood and by filmmakers as a coloring program for feature films. The DaVinci Resolve color grading is the absolute best on the market.ĭaVinci Resolve originally started out as a pro-level, professional color suite for colorists and has gotten only better as the years have gone on. While programs such as Final Cut Pro and Adobe Premiere Pro are competent video editing programs, no software matches Blackmagic Design’s DaVinci Resolve. Now, color correction and color grading can be done entirely within your video editing software of choice. Working with color used to take place entirely on the lighting and film stock during production. Different colors can convey a certain feeling or can draw the audience’s attention to a specific point on the screen. This characteristic is present in virtually any film print, and deeply evocative when properly applied.Color plays a major role in how we interpret video content. Instead, try using split-toning-pushing cool colors into the shadows and warm colors into the highlights-to increase your tonal separation and add depth to the image. When you feel a frame is lacking in overall colorfulness or pop, it’s all too easy to reach for the saturation knob, but this isn’t a very cinematic solution. The second secret to cinematic color is to prioritize separation over saturation. Too often, we’ll pump in some contrast, get an image that looks blown-out or overly-crunchy, and then immediately back off on the adjustment.īut if you can stick with high contrast long enough to finesse your exposure, you’ll get a very different result, and find yourself well on your way to a more cinematic image. This isn’t always easy, because, by its nature, a higher-contrast look requires more precision with where we set our exposure. The first secret to cinematic color is to embrace strong contrast.

Cinematic color grading davinci resolve